Historic Pelham Blog Archive
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Monday, April 04, 2005
Art and Poetry of William Jay Bolton of Bolton Priory in Pelham
As I noted in last Friday's Blog posting entitled "The Earliest
Newspaper in Pelham?", among the collections of The Office of The
Historian of The Town of Pelham are two slim bound volumes that appear to
be journals that once belonged to William Jay Bolton. Bolton was a son of
the Reverend Robert Bolton who built Bolton Priory in 1838 and founded
Christ Church in Pelham Manor shortly afterward.
During this past weekend I digitally photographed all of the pages of the
earlier of the two volumes and a portion of the beginning of the second
volume. This is the first step toward transcribing and analyzing the
contents of the two journals.
While photographing the earlier volume, I found between the leaves of the
journal pages from a separate and smaller journal written during the
1820s. For now I will try to tantalize readers with the teaser that I
believe those pages to constitute a significant "rediscovery" of
importance to the history of Westchester County, Pelham, Christ Church and
even St. Paul's Church National Historic Site. Until I can analyze those
journal pages carefully and render a final verdict, I can only tease for
now . . . .
The Art of William Jay Bolton
The earlier of the two volumes contains a wealth of material that appears
to have been written by William Jay Bolton. Among the many fascinating
entries in the journal are a few in which he prepared intricate and lovely
pen-and-ink sketches apparently for inclusion in the local newspaper named
"The Pelham Chronicle" that he issued during the 1840s. Below
appears an image of one such example:

The sketch seems to show an idyllic -- and likely fictional -- view of
a harbor framed by lovely rolling hills. In the foreground is some sort of
fruit tree beneath which have gathered a group of men. Written beneath the
sketch is a reference that seems to denote the particular issue of The
Pelham Chronicle for which the sketch was prepared: "Sept. 15th 1842
No. 73 Price one contribution". Above the image, of course, appears the
phrase "The Pelham Chronicle".
There are numerous other sketches in the small volume, some of which are
quite beautiful though a few seem to have been smudged when the artist --
or someone else -- closed the volume before the ink used to sketch the
renderings had dried.
As I noted last Friday, William Jay Bolton was an artist of renown in his
day. He eventually was admitted to the National Academy of Design where he
won prizes including a coveted "Silver Palette" for one of his works. The
works in the earlier of these two slim volumes constitute little-known
examples of the sketches of a widely-acclaimed artist of the mid-19th
century.
The Poetry of William Jay Bolton
In addition to his paintings, sketches and work in stained glass, William
Jay Bolton also wrote poetry. In fact, he authored a little volume
entitled "The Harp of Pelham" that was sold to raise funds to
open the little one-room schoolhouse that still stands next to Christ
Church and that served as a local school for many Pelham children for
nearly a generation in the mid-19th century. The earlier of the two
volumes that I reviewed this past weekend contains numerous examples of
Bolton's poetry that he appears to have created for a regular feature in
The Pelham Chronicle entitled "Poet's Corner".
Below is an image from the volume showing the beginning of one of Bolton's
poems -- a particularly sorrowful and Victorian-influenced piece. Beneath
the image I have transcribed the entirety of the poem -- apparently the
first time it has been "published" in more than 160 years.

Poets Corner
A mother sorrowing over the dead body of her child
They often told me
hearts could break!
But I as oft forgot,
It melted like a
snowy flake,
That chills but
lingers not:
I knew I had a womans
heart,
But it was bounding
then
and little dreaming
of the smart
with which it throbs
again.
Oh! had I never
long'd to know
The depths of mother
love,
And plunged me in
this sea of woe
to clasp what shone
above
I saw a bright star
glittering there
and floated to its
side,
But oh! it vanished
into air
And left me on the
tide.
Too true! thou art
thy mother star
In the mild blue of
heaven,
And this is but its
image here
on a cold cask
engraven
Yet it would lighten
half the load
To keep such dust by
me,
So when they lay it
in its sod
If I might sleep with
thee.
Had I believed the
parting day
Could come so swift
as this,
Would I have torn
myself away
From those dear hours
of bliss?
Would I have pressed
those lips so oft?
or ere unlock'd my
neck?
When thou went on my
bosom soft,
That was not then a
wreck!
Stay! had I dreamed
that sorrowing
would come so soon as
this,
Although each look
might prove a sting:
A poison every kiss
I had sought none of
what I mourn
or I had drunk
before,
Seance sad if death
the flower had torn
A dying mother more.
My faded bud how can
we part?
Thou to thy little
tombe,
Along with my poor
broken heart,
And I to earth and
gloom
Once did thy prattle
Cheer the way,
And smiles that were
my sun,
And looks of ecstasy
to pay
For much that I had
done:
Yet must we part - as
won't at Eve
Then slumber for a
while,
And I shall soon this
dark world leave
To sleep with thee
and smile,
And when the morning
dawns for aye
I'll call thee then
my own,
And bear thee to the
skies away
where parting is
unknown -
Please Visit the
Historic Pelham
Web Site
Located at
http://www.historicpelham.com/
posted by Blake A. Bell @
7:15 AM
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